Whan sir Kay saw sir Gryfflet on foote, he rode unto kynge Nentres and smote hym downe, and ledde his horse unto sire Gryfflette and horsed hym agayne. Also sir Kay with the same spere smote downe kynge Lotte and hurte hym passyinge sore. That saw the Kynge with the Hondred Knyghtes and ran unto sir Kay and smote hym downe, and toke hys horse and gaff hym kynge Lotte, whereof he seyde gramercy. Whan sir Gryfflet saw sir Kay and sir Lucas de Butler on foote, he with a sherpe spere grete and square rode to Pynnel, a good man of armys, and smote horse and man downe, and than he toke hys horse and gaff hym unto sir Kay. Than kyng Lotte saw kynge Nentres on foote... (Malory[1], 19.1-11)Is it just me, or have the real generals shooed all the big names with fancy outfits off into their very own exclusive field to engage in their all-important little games of chivalric exchange out of the way of the real business, where they won't accidentally get stuck on some unnamed soldier's pike or get any ideas about giving orders to the men who are actually fighting this war?
Well, but of course, this is a tournament-style battle, not intended for realism, but for entertainment. If tournaments were intended to mimic war in game, here we have a war mimicking a tournament, following the conventions of chivalric combat in the ring and in literature. And it also has layers of 'game' - certainly for the audience, for whom it is constructed, devised, laid out, as carefully as ever Theseus could arrange; maybe even for the participants as well, panoplied and tricked out, busy with the detailed rules of musical horses and intricate social obligation. Kings Ban and Bors come to join Arthur in his war ostensibly for political advantage, but also for their own glory, recalling the actions of young knights such as Piers Gaveston and his little gang when they abandoned Edward I's drawn-out, fruitless campaign in Scotland to skip across the channel to France and enter in a few more interesting tournaments over there.
So, since it is essential in any game to keep a proper score, without more ado, have the Musical Horses Scoretable!
Royal purple denotes those properly of the Pendragon party, while those treacherous, ungrateful, sinister ingrates are, naturally, in green.
Conquering hero | Suddenly horseless failure | Suddenly rehorsed knight |
Sir Brastias | Duke Estance of Canbenet | Sir Ulphuns |
Sir Kay | King Nentres | Sir Gryfflet |
Sir Kay | King Lot | - |
The King with the Hundred Knights | Sir Kay | King Lot |
Sir Gryfflet | Sir Pinnel | Sir Kay |
King Lot | Sir Meliot de la Roche | King Nentres |
The King with the Hundred Knights | Sir Gwyniarte de Bloy | King Idres |
King Lot | Sir Clarinaus de la Foreyste Saveage | Duke Estance of Canbenet |
King Arthur | King Cradilment of North Wales | Sir Ulphuns |
The King with the Hundred Knights | Sir Ector | King Cradilment |
King Arthur | King Cradilment of North Wales | None, because Arthur killed the horse too, which probably didn’t please his foster-father overmuch, even if it was done with the best of intentions. |
Sir Kay | King Morganor | Sir Ector |
Sir Ector | Sir Lardance | Sir Brastias |
Sir Gryfflet | Unnamed knight. | Sir Lucas |
Sir Lucas | King Anguischance | - |
Sir Lucas | Two unnamed squires. | Sir Bloyas de la Flaundres and Sir Gwynas |
Interestingly, the three unnamed victims in this list are also the only three to explicitly be killed in the process. Clearly, they shouldn't have just rashly wandered into that special field with all the big guns.
3 comments:
Honestly, I go away for a few days and you write loads of posts for me to come back to lol!!!
Great post - I could just see you working out that table. By the way - 'musical horses' - that could catch on!
On a wayward point - Blogger has brought up a great word in the word verification box for this: 'factiful'. I think I shall have to try and use that somewhere!
That is a good word!
I stopped being productive this week, if that helps? I blame dogs.
*giggles uncontrollably* I want to play!
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