Querela divina and Responsio humana in BL Add 37049 (transcription)

For reference, this is the full text of the poetic exchange on the page discussed in the last post (BL Add 37049 20r).  Couplets are compressed onto one line for space, line breaks indicated with /.  The only punctuation is an occasional medial punctus, transcribed as a full stop.  Maiuscules follow the manuscript.  Abbreviations are expanded with italics.  The scribe made a few errors in the final lines (were they obscured in his original?) and has crossed them out, possibly with some attempt at scraping or rubbing – it’s hard to say on the colourless image.  On the first two occasions he crossed the letters out before completing the word and continued on the same line, while on the third he completed the line before realising his mistake and inserted a superlinear correction.

Querela diuina

O man vnkynde / Hafe in mynde

My paynes smert

Beholde and see / Þat is for þe

Percyd my hert

And yitt I wolde / Or þan þu schuld

Þi saule forsak

On cros with payne / Scharp deth agayne

Ffor þi luf take.

Ffor whilk I aske / None oþer taske

Bot luf agayne

Me þan to luf / Althyng abofe

Þow aght be fayne

 

Responsio humana

O lord right dere / Þi wordes I here

With hert ful sore

Þerfore fro synne / I hope to blynne

And grefe no more

Bot in þis case / Now helpe þi grace

My frelnes

Þat I may euer / Do þi pleser

With lastyngnes

Þis grace to gytt / Þi moder -eh- eke

Euer be –þry- prone

Þat we may alle / In to –þat- \þi/ halle

With ioy cum sone

Amen.

 

The words around the wound in the heart: 

Þis is þe mesure of þe wounde þat our / Jhesus crist sufferd for oure redempcoun [sic – I just can’t make out an i anywhere in there!]

 

Christ’s words:

Þies woundes smert. bere in þin hert and luf god aye. / If þow do þis . þu fil haf blys with owten delay

Incidentally, the scribe originally started writing this verse higher on the page, stopping when he realised that the words would run into Christ’s halo.  There seems to be an attempt at scraping the first attempt away, and the line enclosing the text banner is thicker over the half-erased words in an attempt to hide them.  It’s probably not to much of a jump to hazard that the scribe was also the illustrator, and didn’t do anything very elaborate in the way of plotting out his page layout beforehand.  I think we also have an indication that he was thinking about the illustrative rather than the poetic side of things when copying out the second line of this couplet, in that he (automatically?) added the usual “en” to “withowten”: it rather destroys the rhythm, and could have been omitted.