Middle English Word of the Moment
Wednesday, June 29, 2011
The Jaunts of Sirs Thomas and Thomas
In the first three months of 1322, the forces of Edward II and the rebel barons fought out a brief civil war, ending at the Battle of Boroughbridge in the middle of March. In the king’s army were a minor baron called Sir John Engayne and (most likely) his brother Sir Nicholas. In the barons’ army, however, was one Sir Thomas Engayne, actively fighting against his king and, therefore, against his relatives. According to the Boroughbridge Roll – the list of those killed or taken in arms against the king – he escaped after the battle and he fled over the sea, as did several other knights, for refuge in France (CPW II App. 201). Among these knights was one Sir Thomas Roscelyn of Norfolk, son and heir of Sir Peter Roscelyn.
Early in the following year, Thomas must have returned to England. A warrant was issued from Newark for his arrest, and for several others in his company: “Jakemin de Darynton, John de Hereford, parson of the church of Depeden, Robert de la Lee, Walter de Brawode, John de Goldynton, knight, Thomas Rocelyn, knight, Robert de Burer, John de Rothyng and Thomas de Engayne” (CPR EII IV p. 238). Of these men, Sirs Thomas Roscelyn and John Goldynton were at Boroughbridge, and the latter is recorded as being imprisoned as a result, although, in view of this arrest warrant, that may be a mistake (CPW II App. pp. 200-01, MS BL Cotton Cleopatra D IX [Fineshade manuscript] f. 88r).
The hunt was on – but it met with no success. Another warrant was January 6 of 1324, the men still at large. According to this warrant, Sir Thomas Engayne, Sir Thomas Roscelyn and James Darynton spent December and January 1322-23 safely ensconced in the priory of Bermondsey, Surrey, at which Darynton was a canon. Consequently, this warrant demands the arrest of the prior Walter de Lutz and “his fellow monk” Bartholomew de Whytsand, together with both knights, Darynton, Darynton’s brother Percival and one Peter de Mountmartyn, identified as the brother of Sir Ponsard de Mountmartyn. According to the warrant, the canons “received the said Jacominus, Percival, Peter and other persons adherents of the rebels, and especially of Thomas Rosselyn and Thomas Dengayne, knights, in the priory of Bermundsey, co. Surrey, and aided them from the feast of St Nicholas 16 Edward II [6 December 1322] until Shrovetide [8 February 1323], when they permitted them to go away at the expense and mounting of the said prior” (CPR EII IV 358).
No further warrants were issued for Thomas Engayne or Roscelyn. They were never caught - it is likely that they left England and, as many knights were to do, joined those exiles on the continent who were later to join Queen Isabella and Mortimer in their invasion.[1] The Westminster parliament following Edward III’s coronation would have restored them their lands, as it did all those who had lost them in 1322. But we do hear of them again.
In 1329, Henry of Lancaster assumed his executed brother’s mantle and capitalised on his popularity as a martyr to royal oppression, emerging as leader of the baronial opposition to Isabella and Mortimer. In January of that year, Thomases Roscelyn and Engayne were among this Lancaster’s armed forces when he marched into Bedford in open resistance, as were Sir John Goldynton and several other names familiar from the Roll of Boroughbridge. Roscelyn, being one of Lancaster’s four chief adherents, personally arrested and detained the sheriff for the duration of their occupation (CIMisc 274-75). And this time, Sir Thomas did not fight against his family: Sir John Engayne, who had inherited the estate from his uncle John in 1323, was also in Bedford with Lancaster’s party. On February 9, after Henry of Lancaster’s surrender, John Engayne acknowledged a fine of 1200 marks against his Essex lands for his participation in the uprising, and his lands were restored to him on those terms two days later (CClR X pp. 529 and 437).
Roscelyn, however, did not get off with a fine. He and Henry’s other three chief supporters were banished, partly for their part in this uprising and their general trouble-making status, but officially for the murder of Sir Robert Holland the previous October (ODNB “Henry of Lancaster”, CClR X p. 425).[2] The same four men, together with Henry, were pardoned by Edward III on 4 December 1330, following his coup against Mortimer and assumption of personal power. Although the charges against them are mentioned, they are tempered by the addition of “as was surmised by Roger Mortimer, our late enemy” (op. cit. p. 530-31, misfiled under December 1329). Finally, while in exile, Roscelyn was involved or implicated in the Earl of Kent’s attempt to rescue and restore Edward II to the throne (Murimuth 254).
It's interesting (although, lacking data, rather fruitless) to speculate on a hypothetical family dinner around this time, and what turns a conversation on Politics and the State of the Land might have taken. Nicholas and the older John, whatever their sympathies may have been, held to their legal obligations, while the younger John, although quiet during Edward II’s reign, was later to espouse a similar cause during the queen’s regency. Thomas felt strongly enough (or, of course, was in sufficient financial or legal trouble) to take a stand on the other side, both in 1322 and 1329. Between these years, and possibly earlier, Thomas kept company with Thomas Roscelyn, a man who was a close adherent of Mortimer, and who was later to aid Henry of Lancaster. In each case – Thomas of Lancaster, Roger Mortimer, Henry of Lancaster, even Edmund Earl of Kent – Roscelyn was quick to align himself with the man who presented himself as a force for change in the country. The frequent appearance of Thomas Engayne’s name in conjunction with his may suggest either a man easily influenced by a charismatic personality, or one inspired by a similar desire for change. Roscelyn and his opinions may therefore also have made themselves heard around the family estate at Blatherwycke, if only at second hand.
I’m not sure how close a relative Thomas Engayne was to the centre of the family – another brother to John and Nicholas, another of Nicholas’ sons and thus brother to the younger John, a cousin – but he was close enough to be known and significant to a canon writing at the priory of Fineshade, adjacent to Blatherwycke, of which the Engayne family were patrons.
The Fineshade manuscript (MS BL Cotton Cleopatra D IX, ff. 84-90) includes a version the Boroughbridge Roll, it includes neither the name of Sir Thomas Engayne, nor of Sir Thomas Roscelyn. It can hardly be an accidental omission, or an omission in the exemplar. A Fineshade canon could not fail to notice the name of Engayne above all others in such a list, nor would the exemplar be necessary to make that information known to the priory. That the same accident should extend to the knight who fought with him against the crown and accompanied him in his exile is altogether too much of a coincidence. Whether it is intended as rejection or protection of the exiled knights, the omission must surely be deliberate. Sirs Thomas and Thomas are carefully written out of the event.
This omission throws other silences on the chronicler’s part into interesting relief, illuminating the effort to which he has gone to render the chronicle an impersonal account. One or both of Sirs John and Nicholas Engayne must have been present at the battle and the following parliament, but they are not mentioned. Sir Thomas Engayne and a friend to whose name the chronicler was not indifferent were present in a very different capacity, but the chronicler of the priory carefully deletes them from precisely the point where he ought to have recorded their names. The events most closely detailed by the chronicler are precisely the events which these men experienced, but though that they must have been in his thoughts as he wrote, he who prayed regularly for the Engaynes’ souls mentions none of them. Their presence is systematically erased.
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[1] Mortimer was a logical connection for Roscelyn to seek out, as they seem to have had a substantial prior acquaintance. Roscelyn had aided Mortimer in the Marcher rebellion, and had earlier been one of the “closest circle of Mortimer adherents” who witnessed his son’s wedding in 1316 (Ian Mortimer 79).
[2] Holland had been perceived by Lancastrians as a traitor, as his desertion of that earl on the brink of the Battle of Boroughbridge had been instrumental in his defeat. He had been murdered the previous October, and his head sent to Henry of Lancaster.
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Cited:
MS British Library Cotton Cleopatra D IX ff. 84-90 [Fineshade manuscript].
Murimuth, Adam. Continuatio Chronicarum. In Adae Murimuth Continuatio Chronicarum et Robert de Avesbury De Gestis Mirabilibus Regis Edwardi Tertii. Ed. Edward Maunde Thompson. Rolls Series 93. London: Longman, 1889. 1-276.
Calendar of the Close Rolls [CClR]. 21 vols. London: Public Record Office, 1902-27.
Calendar of Inquisitions Miscellaneous (Chancery) [CIMisc]. 3 vols. London: Public Record Office, 1916-2003.
Calendar of Patent Rolls [CPR]. 49 vols. London: Public Record Office, 1891-1986.
Palgrave, Francis, ed. [CPW] The Parliamentary Writs and Writs of Military Summons. 3 vols. London: Eyre, 1827-34.
Oxford Dictionary of National Biography (online) [ODNB].
Mortimer, Ian. The Greatest Traitor: The Life of Sir Roger Mortimer, Ruler of England 1327-30. London: Jonathan Cape, 2003.
Monday, March 14, 2011
The Judgement and Death of Roger d’Amory (part 2 of 2)
The judgement against d'Amory
The judgements against Francis de Aldham and Bartholomew de Ashburnham
The Fineshade version
Translation
1. Roger d’Amory (PW p. 261).
Square brackets are editorial insertions in the Writs; underlining is my expansion of their abbreviations, which follow the manuscripts. Note that d'Amory's judgement uniquely contains a small addendum in which his execution is postponed - see yesterday's post.
Tenor judicii super Rogerum Damory redditi patet in sequenti.
Pur ceo qe vous Roger Damory homme lige notre Seignour le Roy countre votre fay homage & ligeaunce, faucement & traitorousement alastes en Gales ove banner desplye, Chastels & Villes robastes & preiastes, & preistes sa Ville & soun Chastel de Gloucestre & ylumastes sa Ville de Briggenorth & ileok tuastes ses gentz & robastes ses liges gentz & preyastes le pays par my la terre ou vous estes aleez a feer de gwerre en estruaunt soun pople taunqe vous venistes al Chastel notre Seignour le Roi a Tykehalle & ileoqes asigeastes le dit Chastel ove baner desplie com enemy notre Seignor le Roi & du Realme, & la tuastes & nauverastes ses liges gentz, & de illeoqes alastes en la cumpaignye des traytours atteyntz Thomas jadys Counte de Lancastre & Umfrey jadis Counte de Hereford tauntqe a Burtone sour Trente & illeoqes arestutes le gentz notre Seignour le Roi qil ne poient le pount passer, vous armez ove baner displie come tretour & enemy encountre votre lige Seignour & encountre votre fey homage & ligeaunce, & la tuastes & nauverastes ses liges gentz. Et puis [vous] com traytour & enemy notre Seignour le Roi aperceivaunt la venue le Roi forciblement alumastes la Ville de Bourtone, et vous meistes en chaump en batailles ove vos baners desplies attendaunt votre liege Seignour davoir combatoutz ove lui si vous & les autres traytours ussez eou power. Et quant vois veistes la sarraye & forcible venue votre Seignour le Roi lige & des [ses] altres batailles, les quels vous ne osietz attendre ne ne poiez arester e puys tournastes le dos & fuistes dever le North derobeaunt le pays devaunt vous com traytour & robeour tauntqe vous venistes a Tuttebiri. Et si vous Roger ussez eou a ceo la force & le power le quels traysons, arsons, homicides & roberies chyvaches ove baner desplye & sount notories a Countes Barouns & a altres gentz petiz & grauntz de soen Realme ; agarde notre Seignour le Roi de soun real power & recorde, par quei ceste Court agarde qe pur la traysoun soiez traynez & pur les homicides arsons & roberies pendutz; mes Roger pur ceo qe notre Seignour le Roi vous ad en temps moult amez & fuistes de sa meygne & prives de lui & avez sa nyece esposee, notre dit Seignour le Roi de sa grace & de sa Realte met en respit execucioun de cel jugement a sa volunte.
2. a: Fraunceys de Aldeham & Bartholomeu de Assheburneham. b: Bartholomeu de Assheborneham alone (PW 266-67).
Single square brackets [a|b] indicate differences between the two versions. Double square brackets [[]] are square brackets present in PW. Differences of spelling and abbreviation not noted - where there is a difference, b is used.
NB: there are copies also for Henry de Wilyngtonne & Henry de Mounfort (262); another against B. de Ashburnham (263); Henry Tyeys (264); and Bart. de Badlesmere (265), which adds that his head will be “mys outre la porte de la Ville de Caunterburez pur doner ensaumple as autres qe il nenpreignent tieles traysouns & mauvestes come vous avetz faitz” (“set outside the gates of the City of Canterbury to give example to others that they may not be infected by such treasons and evil as you have done”).
Por ceo qe vous [Fraunceys de Aldeham & vous Bartholomeu de Assheburneham| Bartholomeu de Assheborneham] homme lige nostre Seignur le Roi [ |,] [countre|encountre] vostre foi, homage & ligeaunce [ |,] faussement & tretrousement preistes sa Ville & son Chastel de Gloucestre [ |,] & allumastes sa Ville de Breggenorth & illuqes tuastes [ces|ses] gentz [ |,] & robbastes [ces|ses] liges gentz & preyastes le paiis parmy la terre [ |,] ou vous estes alez a foer de guerre[,| ] tancqe vous venistes au Chastel le Roi a Tikehill[ |,] & illuqes assegeastes le Chastel, ove banere desplye, come enemy du Roi & du Roialme [ |,] & naufrastes & tuastes les liges gentz nostre Seignur le Roi[, &|. Et] [de illoqes|dilluqes] alastes en la compaignie des treitres atteyntz Thomas jadis Counte de Lancastre & Humfrei jadis Counte de Hereforde , tancqe a Burtonne sur Trente [ |,] & illuqes arrestustes les gentz le Roi[ |,] les queux ne poeynt le pount passer, ove bannere desplaie come tretour & enemy encontre vostre lige Seignur le Roi, vostre foi, homage & ligeaunce, & naufrastes & tuastes illuqes ses liges gentz[, et|. Et] puis vous & les autres tretours & enemys le Roi apparceyvaunt la venue le Roi afforcement allumastes la Ville de Bourtonne, & vous meistes en chaump en batailles[ |,] ove banneres desplayez[ |,] attendant vostre Seignur lige[ |,] davoir combatuz ove luy, si vous & les autres tretours eussez eu le poer[, &|. Et] quant vous veistes la forcible venue vostre lige Seignur [,| ] & [de ces|ses] batailles [le queux| ] vous ne [ |les] osiez attendre[,| ] ne ne poiez arrester; tournastes le dos & fuystes vers le Northe[ |,] derobbaunt le paiis devant vous come [treitours & robbours,|tretour] tancqe vous venistes au Pount de Burghe, ou vous [trovastes|tournastes] les liges gentz le Roi[,| ] eanz son pleyn poer [,| ] a lever le poeple [ |,] & de arester les treitours & les enemys [,|.] [&|Et] vous & les autres enemys & treitres illuqes assemblastes a eux [,| ] ove banneres desplaiez [ |,] & aucuns des gentz le Roi tuastes [,| ] & aucuns naufrastes [,| ] ou vous & les autres traitors de vostre faus acord & covyne feustes desconfitz & aucuns tuez [,| ] & vous aucuns [autres| ] des enemys pris, & les autres senfuyrent, issint qe en vous ne demorra poynt [ |,] qe vous ne eussez outree vostre Seignur lige a Bourtonne & pris ses liges gentz eyauntz son pleyn poer a Pount de Borghe, si vous eussez [eu|a ceo] la force [les|& le poer. Les] queux treisouns, arsouns, homicides [ |,] robberies, chevaucheez ove bannere desplaie sont notoires as Countes [,|& as] Barouns & [ |a] autres grauntz & petitz de son Roiaume. Et nostre Seignur le Roi [&|de] son real poer le record[,|;] pur quoi agarde ceste Court, qe pur la traisoun soiez traynez & pur les robberies & homicides penduz.
3. Fineshade manuscript version: edited transcript
The Fineshade manuscript is a single quire, being one of the booklets contained within BL Cotton Cleopatra D IX - the third of five. Cotton appears to have bound those five together in the 1610s. This is, properly speaking, another manuscript, added a few years after the composition of the rest of the quire – a single leaf, written lengthways and attached to the main Fineshade manuscript along the spine. It is written in an official hand, and appears to be one of the many copies of the 1322 judgement that were re-issued in 1325, as a warning to those who were, by that time, becoming restless again. For this theory George Sayles, “The Formal Judgement on the Traitors of 1322”, Speculum 16 (1941), 57-63.
Paragraph breaks are mine. Line breaks in the ms are indicated with /.
Pur ceo qe vous . j . homme lige nostre seignur le Roi , contre vostre foi homage , e ligeaunce , fausement e treiturousement / pristes sa ville e son chastel de Gloucestre , e aluminastes sa ville de Briggenorthe, e illuqes tuastes ses gentz e robastes / ses liges gentz , e preiastes le pais parmi la terre ou vous estoiez alez a faire de guere , tant que vous venistes au chastel / le Roi de Tykille, e illoqes assegastes le chastel oue baner desplere comme enemi du Roi e du Roialme , e naufrastes e / tuastes les liges gentz nostre seignur le Roi , e de illoqes alastes en la compaignie des treiturs atteintz , Thomas , iadis / Counte de Lancastre , e Umfrei , iadis Counte de Hereforde, tant qe a Burtonne sur Trente , e illuqes arestutes les / gentz le Roi , qils ne poeint le pount passer ; armes oue baner desplere comme treitours e enemis contre vostre lige / seignur le Roi , vostre foie , vos homages , e ligeaunces , e naufrastes e tuastes ses liges gentz illoqes , e puis vous e les / autres treitours enemis le Roi aperceiuaunt la venue le Roi aforceement , aluminastes la ville de Burton , e vous / meistes en chaumpe en batailles oue baners despleres attendants vostre lige seignur dauoir combatu oue luy . Si vous / e les autres treitours eussez eu a ceo le pouer , e quant vous veissez la sarre e forciable venue vostre seignur lige e de ses batails , / les queux vous ne osiez attendre , neue poer aresteer ; tournastes le dos , e fuistes deuers le Northe enrobaunt le pays de/ uante vous. come treitours e robeours tanqe vous venistes au Pount de Burghe, ou vous trouastes les gentz le Roi / eant son poer a leuer le poeple , e de aresteer les treitours e les enemis le Roi , Et vous e les autres treitours e / enemis illoqes assemblastes a eaux oue baner desplere , e ascuns gentz le Roi tuastes , e ascuns naufrastes , Ou vous e / les autres treitours de vostre faux accorde e coueigne feustes descomfiz. e ascuns tues , e vous e ascuns autres des / enemis pris , e les autres senfuirent issint qen vous ne demura point , qe vous ne eussez encontree vostre seignur lige / a Byrtonne e puis ses liges gentz eant son poer a Pount de Burghe, si vous eussez en a ceo la force e pouer. Les / queux treisons , arzons , homicides , Roberies , cheuauchees oue baners desplerez ; sount notoirs as Conts , Barons , e / altres grantz e petitz de son Roialme. Et nostre seignur le Roi de son Roial pouer le recorde , Par qei ceste Courte / agarde qe pur la treisone serez treine , e pur les Roberies e homicides ; pendu. /
4. Fineshade manuscript version: translation
For that you, a liegeman of our lord the King, contrary to your faith, homage and allegiance falsely and traitorously took his castle of Gloucester, and burnt his city of Bridgenorth; and there you slew his people and robbed his liegemen and plundered the country throughout the land where you had gone to make war, until you came unto the King’s castle at Tykille.
And there you beseiged the castle with banners unfurled as enemies of the King and of the realm, and wounded and slew the liegemen of our lord the King; and you went from that place in the company of the attainted traitors Thomas, sometime Earl of Lancaster, and Humphrey, sometime Earl of Hereford, unto Burton-upon-Trent; and there you impeded the King’s men that they might not cross the bridge, armed and with banners unfurled as traitors and enemies against your liege lord the King, your faith, your homage, and alliegance, and wounded and slew his people there.
And then you and the other enemy traitors of the King, perceiving him approaching with great strength, burned the city of Burton and took to the field of battle with banners unfurled, awaiting your liege lord to fight against him, if you and the other traitors should have the strength thereto.
And when you saw the well-armed and mighty approach of your liege lord and his batallions, which you dared not meet and could not hinder, you turned your backs and fled towards the North, plundering the country before you, like cowards and thieves, until you arrived at Boroughbridge, where you found the King’s men, bearing his power to raise men and to arrest traitors and enemies to the King.
And you and the other traitors and enemies assembled there, with banners unfurled, and slew some of the King’s men, and wounded others; and there you and the other traitors of your false accord and covenant were defeated, and some were slain, and you and certain others of the enemies taken, and the others fled so that not one remained for you, that would not have met with your liege lord at Burton and then with his liegemen bearing his power at Boroughbridge, if you had had the force and power to avoid it.
And these treasons, arsons, murders, robberies, and raids with banners unfurled, are notorious to the Earls, Barons and other greater and lesser men of the realm. And our lord the King by his royal power records it. For which this court finds that for the treason you should be drawn, and for the robberies and murders, hanged.
Sunday, March 13, 2011
The Judgement and Death of Roger d’Amory (part 1 of 2)
On the 13th or 14th of March, 1322, Roger d’Amory died – ‘obiit morte propria’ – at Tutbury Priory, Burton-upon-Trent, Staffordshire[1]. As the remaining rebel barons fled north, their numbers greatly depleted, d’Amory was left at Tutbury to await the arrival of King Edward II, who had completely routed the rebel forces at Burton-upon-Trent on the 10th. The castle was surrendered to him immediately, and with it d’Amory.
The phrase above, ‘obiit morte propria’, is from the Fineshade chronicle’s list of the slain, exiled, imprisoned and executed barons and knights after the denouement of the rebellion at Boroughbridge (16 March) [2]. Literally ‘died his own death’, it seems to refer to death from wounds sustained in the battle (not, eg, ‘natural death’), standing in contrast to the death in battle (as Hereford and others) or execution (as Lancaster and most others). It must have been a severe incapacitation to prevent him fleeing north with the other rebels, given the reception he could expect; and, given he captured Worcester for the rebels in January, and seems to have participated actively in the battle of Burton-upon-Trent, it can hardly have been a lingering illness. [3]
What is clear is that he was not executed. In Edward’s eyes, d’Amory was a traitor, and he passed on him the same sentence that he passed on the others. The sentence was largely the same for each of the traitors, differing usually only in details about which specific treacherous activities they were involved in – eg, some were not present at the burning of Bridgnorth, and for obvious reasons d’Amory’s sentence omits the usual itinerary after Burton-upon-Trent. I will include the usual text and d’Amory’s judgement in the following blog post. The sentence was sufficiently standardised that it was possible, some years later, when Edward needed to quash rising murmurs of rebellion again, to re-issue generic versions of it with no name attached at all. One of these is the final folio of the Fineshade manuscript. [4] There is, however, one moment in which the judgement on d’Amory departs dramatically – and, for me, rather movingly – from this standard.
Roger d’Amory was not just any traitor to Edward. Edward II’s reign was characterised by his intense emotional attachments to a few favourites – Piers Gaveston in his early years, Hugh Despenser from about 1319 until the deaths of both men in 1327. But in the years between the murder of Gaveston in 1312 and the emergence of Despenser as clear favourite, Edward had instead a group of men who were close to him and influential, d’Amory among them. In 1317 Edward even arranged d’Amory’s marriage to Edward’s widowed niece, Lady Elizabeth de Clare / de Burgh. [5] Edward tends to leave unambiguous traces of personal attachments on the historical record, and d’Amory was without question one of the ‘in’ crowd for those years.
Just why Roger d’Amory joined the movement against Edward that became a rebellion is, of course, unknown and unknowable. Politically, broad guesses might be made: Despenser had ousted him and the other ‘group’ favourites; Despenser and his father were dangerous and greedy and both sides were becoming increasingly litigious and violent; d’Amory and Despenser were both married to sisters of Gilbert de Clare, Earl of Gloucester and Hertford, who had died without issue in 1314, leaving his vast estates to be divided (and debated) among the husbands of his sisters. [6] Logical reasons may be sought for one course of action or another, but the deciding emotions in the case – on the part of either man – are not a matter for historical inquiry. In the usual way of things I’d leave them be, but there are moments when they strike me forcibly. Speculation aside, here is a man who had been very close to the king, who joined a movement against him that Edward took very personally (not to mention his fierce grudge against Lancaster, who gradually assumed the mantle of leader), and whom Edward found dying in Tutbury of wounds sustained in his first major engagement with the rebels’ troops.
In most of the copies of the judgement I’ve read, the conclusion reads as follows, with only the usual differences of spelling and punctuation:
Les queux treisouns, arsouns, homicides, robberies, chevaucheez ove bannere desplaie sont notoires as Countes & as Barouns & a autres grauntz & petitz de son Roiaume. Et nostre Seignur le Roi de son real poer le record; pur quoi agarde ceste Court, qe pur la traisoun soiez traynez & pur les robberies & homicides penduz. [See following post for citation.]
The which treasons, arsons, murders, robberies, and raids with banners unfurled, are well-known to the Earls, Barons and other greater and lesser men of the realm. And our lord the King by his royal power records it. For which this court finds that for the treason you should be drawn, and for the robberies and murders, hanged.
So the sentences passed on Bartholomew of Ashburnham and Francis d’Aldham; so the general sentence preserved in the Fineshade manuscript; so, up to a point, the judgement on d’Amory.
But d’Amory’s, uniquely, continues:
& pur les homicides arsons & roberies pendutz; mes Roger pur ceo qe notre Seignour le Roi vous ad en temps moult amez & fuistes de sa meygne & prives de lui & avez sa nyece esposee, notre dit Seignour le Roi de sa grace & de sa Realte met en respit execucioun de cel jugement a sa volunte.
and for the robberies and murders, hanged; but Roger, because our Lord the King did at one time love you greatly and you were of his company and close to him and did marry his niece, our said Lord the King, by his grace and his royalty, defers the execution of the said judgement according to his will.
I found this at a moment when I was looking for something else. I wasn’t prepared for it, wasn’t thinking about these two men and their relationship, was not particularly invested in its termination. But I found it suddenly and deeply touching. D’Amory would die: that much was clear. It was necessary to pass the sentence of death, but it was not necessary to kill him. He was dying already; and perhaps if Edward had been feeling particularly vindictive he might have dragged him out to the gallows. But he didn’t: he deferred the punishment and let him die ‘morte propria’, not the death of a thief.
Edward, however, was not there to see it. Roger d’Amory died on the 13th or 14th of March, 1322, and on the 11th Edward had left, pushing north in pursuit of the fleeing Lancaster.
Sometimes, in reading these documents – particularly in manuscript form – these moments just happen, moments in which I find I have to pause and sit back for a moment to allow myself to realise the weight of centuries-past human emotion behind the tiny glimpse afforded by the words on the page. It is necessary to sit back because distance is, of course, necessary. Emotion is a difficult and potentially highly subjective field of study, and I’ve not the courage nor the background to go there yet. Even if I did, the question is irrelevant to my present studies, and in engaging my own emotions too far could potentially jeopardise my discussions of (particularly) Edward’s actions in these few months. But I think it is also necessary to have that realisation. Just from time to time.
[1] Here and elsewhere, for specific (and occasionally debateable) details as to people’s lives – particularly dates – I have preferred to follow their biographies in the online Oxford Dictionary of National Biography, accessed 7 February this year.
[2] BL Cotton Cleopatra D IX, mss. 3 and 3a within the codex, f. 88r l. 8, published by George L. Haskins as “A Chronicle of the Civil Wars of Edward II,” Speculum (1939): 73-81. I will include my edition of this chronicle and the documents attached to it as an appendix to my Masters thesis, and will publish it if I can. The only other extant copy of this list, in MS Egerton 2850, calls itself “Les nouns des grauntz mortz a Borghbrigge le Marsdy & le Mekerdy apres la feste Saint Gregoire”, and says of d’Amory merely that he “fust mort un poy devaunt a Tottebury”. The Egerton list is transcribed in Parliamentary Writs and Writs of Military Summons, 2.2.ii, Appendix pp. 200-01, but I couldn’t get hold of it without actually going to the British Library anyway, so I just read both! That was the first roll I ever handled. It was rather nerve-wracking.
[3] See also Kathryn’s post on the latter part of his career on her Edward II blog, where she includes (among other details) other contemporary theories about his death.
[4] For this argument see George Sayles, “The Formal Judgement on the Traitors of 1322”, Speculum 16 (1941), 57-63. He writes in response to Haskins’ publication of the Fineshade judgement, in which Haskins attempts to identify it as passed upon a single condemned (“Judicial Proceedings against a Traitor after Boroughbridge, 1322,” Speculum 4 (1937): 509-511).
[5] While in London last October I transcribed, on Kathryn’s request, a letter from Edward to Elizabeth on the matter, written 10 September 1316. I’m sure I remember Kathryn writing a blog post based on it, but I can’t find it now – sorry Kathryn! I may do something on it myself, as it’s rather interesting on its own terms – there are three clear stages of revision to it, in three different hands, and each revision sounds sterner than the last. Edward clearly had second (and third) thoughts about Elizabeth’s biddability – and given she’d run away with and married Lord Verdon early in 1316, he probably had good reason.
[6] The third sister was Margaret, widow of Piers Gaveston and remarried in 1317 to Hugh d’Audley, another of Edward’s then-favourites.
Wednesday, December 23, 2009
Cleopatra D IX: MS V, ff. 118-168. South English Legendary.
A fragment of an otherwise unknown manuscript of the South English Legendary.
Description.
Parchment, 51 ff., 265 x 165 mm with the text block 205 x 112 mm. Written in one column of 40 lines. Folios in twelves, with ff. 1-5 of the first quire lost and the final quire in eight. The last leaf is blank. Written in two hands, both Anglicana approaching textura, very clear. B is rounder with smaller strokes. A writes ff. 118-149v (John Evangelist, Thomas of Becket), B ff. 149v-166 (Theophilus/Virgin, Cecilia, Gregory). No decoration save the “traditional blue initials flourished in red with marginal extensions”, not filled in (Görlach, Textual tradition 112). All folios but the last numbered in modern foliation.
Contents.
The end of a manuscript of the South English Legendary, lacking at least five leaves from its first quire and probably several other quires containing a more complete collection of the poems. The South English Legendary is a popular collection of saints’ lives in vernacular verse, surviving in many manuscripts, originating in the Worcestershire/Gloucestershire region in the late thirteenth century. Görlach observes that it seems to have been confined to this region “for the first 50-80 years of its existence, spreading into the Midlands only in the second half of the 14th century” (Revision 9). The legends contained in this manuscript are (Brown 267-68):
- 118r: The final eight lines of St John the Evangelist (Him sende here his ringe a3en & þonked him also...). ½ p.- 118r-149v: St Thomas of Canterbury, followed by his Translation (Gilberd was Thomas fader name þat trewe was & god...). 32 ff.
- 149v-155v: St Theophilus, with Miracles of the Virgin (Seint Teophle was a gret man & gret clerk also...). 7 ff.
- 155v-158v: St Cecilia (Seint Cecile of noble kinne ibore was at Rome...). 4 ff.
- 158v-166v: St Gregory (All þat beoþ in sinne i-bounde / And þencheþ godes merci to abide...). 9 ff.
Origin.
Görlach’s study of the dissemination and variations of the Southern English Legendary, together with the dialect and orthography of this version, led him to place it in the Gloucestershire/Oxfordshire region (Görlach, Textual tradition 112). Its acquisition by Prise may suggest a religious house in Gloucestershire, as he enacted the dissolution of many houses there and apparently none in Oxfordshire (cf. Pryce; Ker, Sir John Prise), although there is no evidence that he acquired it directly from its original location rather than from another collector.
Date.
Görlach judges both hands in this manuscript as belonging to the middle of the fourteenth century.
Later provenance and position within codex.
At some point during the sixteenth century the manuscript, or possibly its remains, fell into the hands of Sir John Prise, employed by Henry VIII during the 1530s to close down monasteries in the west of England (Ker, Sir John Prise 5). Prise’s aversion to altering or rebinding the manuscripts in his collection (ibid) suggests that it would have passed on to Cotton (presumably via one or more intermediaries) alone, unbound with any other manuscript within the codex. The gap in foliation between the previous manuscript and this, however, suggests the presence of two blank leaves, possibly used by Prise to enclose this fragile fragment to prevent the loss of further leaves (if indeed it was fragmented at this point).
While Prise may have been more concerned with the preservation of the original state of his manuscripts than many of his contemporaries, his attitude was not entirely reverent. Ker mentions the “numerous, strongly Protestant and anti-Becket” notes in Prise’s hand written in the margin by that legend: “What arrogance is this! of one that had spent his tyme more in merchandize hauking and hunting than in lernyng” (qtd. in Ker, Sir John Prise 21). Precious his books may have been to Prise, but ultimately utilitarian.
There is also the possibility that Prise may have received the manuscript intact. This is perhaps more likely: history was his subject, not the vagaries of poetic saints, and a mere fragment of such a text might have not seemed worth preserving. If, then, it passed on to Cotton as a whole and was fragmented by him (see introductory post), he may have bound it with another two leaves to distinguish it from the ‘serious’ matter of the volume, or to hold it together pending proper binding. This is another question on which the manuscriptitself could shed light, as the age and wearing of the outer leaves of the manuscript and of the sheltering leaves ought to give some clue as to how long each has spent unprotected.
Lacunae.
Perhaps fittingly, considering its position as the final manuscript in the codex, this manuscript’s value as a witness lies less in its contents than in its later history. The poems it contains, with minor variations, survive in more complete manuscripts and have been published several times, while their cousins and progeny live on in texts such as the Canterbury Tales and the Gilte Legende. On the other hand, its treatment at the hands of Prise (and possibly Cotton) stands with the fate of the psalter in Royal 13 D I in testimony to the likely fate of a good many such manuscripts at the hands of the Protestant antiquarians. The violence visited on the ‘body’ of this manuscript seems to evidence a need to correct and subdue a recalcitrant creature amongst the diligent, precious subjects better beloved of their keepers. As such, the mystery of its missing leaves and the firm rebukes written in its margins form an appropriate counterpart to the quiet survival of the Brief Chronicle, and to the repeated studying and reproduction of the Liber Alani de Ashbourne.
Cited.
Brown, Carleton. A Register of Middle English Romance and Didactic Verse. Oxford: Oxford UP, 1916.
Görlach, Manfred. The textual tradition of the South English Legendary. Leeds: University of Leeds, 1974.
----- An East Midland Revision of the South English Legendary: A Selection from MS C. U. L. Add. 3039. Heidelberg: Carl Winter, 1976.
Ker, Neil R. “Sir John Prise”, The Library 5th series 10 (1955): 1-24.
Pryce, Huw. “Prise, Sir John (Syr Siôn ap Rhys) (1501/2–1555).” Oxford Dictionary of National Biography. Oxford UP, 2004. 03 Dec 2009.
Tuesday, December 22, 2009
A study of Cleopatra D IX: MS IV, ff. 90-115. Epistola ad regem Edwardi III.
A manuscript of the Epistola ad regem Edwardi III, by William of Pagula (?-1332), written c. 1331, complaining of the practice of purveyance. The manuscript dates from the late fourteenth century (or early fifteenth), attributes the work to Archbishop Islip, and is unique in the volume in being the only manuscript in paper.
Description.
Paper, 26 ff. No description of the manuscript has been published.
Contents.
A long complaint and advice tract against the practice of purveyance, particularly as it is imposed on the surrounds of Windsor Forest. Addressed to the young Edward III, it is in the form of a long list developing a formal argument, with most points beginning with the formula “O domine mi rex...”. Similar to the slightly later Speculum regis Edwardi III, it is sometimes referred to as Recension A of the Speculum. This label derives from Moisant, who published both works in 1891 and decided that the Speculum proper was merely a later revision of this Epistola. In labelling it the Epistola, I follow Boyle, whose work establishing the authorship, relationship and differing intents of both tracts is now considered definitive (Boyle, “Oculis Sacerdotis” & “Speculum”).
Date.
Judging by internal evidence - allusions to Edward’s youth, his sister, his recent assumption of full authority, recent treaties with France, contemporary local events and the author’s statement that forty years have passed since Edward I instituted the laws of purveyance in the eighteenth year of his reign – Tait and Boyle both judge that the Epistola was written early in 1331 and its companion Speculum a few months later (Tait 112-13; Boyle, “Oculis Sacerdotis” 107). William of Pagula died in 1332 (Boyle, “Oculis Sacerdotis” 100; Nederman, “William of Pagula”).
This particular manuscript, however, has not been the subject of discussion by either (or later by Nederman, who approaches the text as a legal historian and not a codicologist). Boyle mentions it in passing as a fourteenth-century witness (Boyle, “Speculum” 330), but specifies neither a more precise window of production, nor his reasons for judging it so. If he is correct, however, two things would point to a later date within that century:
-The attribution to Archbishop Islip dates it firmly after 1349 (the date of his provision to the see), and suggests a date still later, as the venerable blur of time obscured the fact that the Epistola had already been in circulation for some years, and possibly heightened the prestige of Islip’s name to the point where it would improve the reception of a text credited to him. I would tentatively suggest that this manner of attribution would increase in likelihood with the natural reverence following his death (1366).- This manuscript is written on paper. According to Thompson, the first paper mills in France were those in Troyes, not built until 1348. England did not follow suit until shortly before 1490, although some paper made its way to the island via Gascony, largely from the mills of Bordeaux (634-35). Although Thompson gives dates neither for the earliest English uses of paper, nor the establishment of the earliest Bordeaux mills, this suggests that a date before the last quarter of the century would be very unlikely.
More precise dating could be achieved by consulting the manuscript, as a manuscript of 26 folios ought, by means of watermarks, to reveal at least a tempus a quo and place of origin for its primary materials.
Origin and authorship.
The Epistola was written by William of Pagula, as Boyle has established (“Oculis Sacerdotis”), though later manuscripts attribute it to Archbishop Simon Islip. Boyle calls it a “localized appeal from the location of Windsor Forest for letters of protection” against the practice of purveyance, written during William’s time as vicar of nearby Winkfield (Boyle, “Oculis Sacerdotis” 99 & 107).
The origin and scribe of the present manuscript, however, are unknown. Knowledge of the paper’s watermarks, in consultation with paper supply routes (if that information is available) could indicate some of the most likely centres of production, but is unlikely to yield any definite evidence due to the quantities of French-imported paper swamping the English paper market until halfway through the sixteenth century (Shorter 16) . A Gascon origin is perhaps more likely in any case, as paper was in commoner use in England’s continental holdings than on the island well into the fifteenth century (Thompson 634-35).
Whether the manuscript was made on the continent or in England, the use of paper (as expensive as parchment due to rarity) and the fact of its preservation long enough to be bound with the other manuscripts in this volume may suggest a reasonably high level of production, possibly for presentation or gift. The level of professionalism, of course, could be quickly determined by consulting the manuscript.
Later provenance and position within codex.
Whatever the date of the Epistola manuscript, it is undoubtedly the youngest in the codex, grouped with them and ordered according to its contents rather than its own age. While the concerns the Epistola expresses are tantalisingly similar to those of the chronicler of the previous manuscript, and the town of Pagula (Paull) is also in the Yorkshire region, there is no evidence to connect the two. Certainly the style of the short chronicle bears no resemblance to the formal, didactic Latin of William of Pagula. Given the discrepancy in their age, any thematic similarities are likely to be due to Cotton’s judgement, and their juxtaposition in the codex is adequately explained by the approximately chronological ordering of its contents up to this point.
Lacunae and potential.
The majority of the lacunae, in this case, can be filled by consultation with the manuscript, as they are largely codicological and a good deal is known about the circumstances of its contents’ composition. Such an examination would narrow, though not eliminate, the broader gaps in our knowledge of the origin and history of the manuscript itself, shedding light on the circulation and popularity of both the text and the medium of paper in fourteenth-century England, together with the social implications of both.
Cited.
Boyle, Leonard E. “The Oculis Sacerdotis and some other works of William of Pagula.” Transactions of the Royal Historical Society 5th series 5 (1955): 81-110.
----- “William of Pagula and the Speculum Regis Edwardi III.” Mediaeval Studies 32 (1970): 329-36.
Moisant, Joseph (ed). De speculo regis Edwardi III, seu tractatu quem de mala regni administratione. Paris, 1891.
Nederman, Cary J. & Cynthia J. Neville. “The origin of the Speculum Regis Edwardi III of William of Pagula.” Studi Medievali 3rd series 38 (1997): 317-329.
Nederman, Cary J. “Pagula, William (d. 1332?).” Oxford Dictionary of National Biography. Oxford UP, 2004. (03 Dec 2009).
Shorter, A. H. Paper making in the British Isles: An Historical and Geographical Study. Devon: David & Charles, 1971.
Thompson, James Westfall. The Medieval Library. 1939. New York: Hafner, 1957.
A study of Cleopatra D IX: MSS III, IIIa, ff. 84-88, 89. Fineshade collection.
A collection of letters and a chronicle relating to the civil wars of 1321-22, from the priory of Fineshade, with a related proclamation from 1325 attached.
Description.
III: Parchment, 5 ff. Single column of 40 lines. Two letters and a petition transcribed, followed by a short chronicle and some notes. In two hands, one predominant, with occasional corrections suggestive of composition rather than copying in the chronicle and no similar errors in the previous documents. A, the primary scribe, uses a rounded and rather irregular Anglicana, with heavy downstrokes that can tend toward the blotchy, irregular minims, and a rather awkward serpentine ‘s’ whose lower bowl sits noticeably below the line. B, who writes less than half a page on 87v before A resumes on 88r, uses a contemporary Anglicana that is smaller and more regular, with consistently angled curves and controlled decorative flourishes on his maiuscules. Miniscule ‘a’ is typical of the differences between the two hands: A’s lower bowl varies in size relative to the x-height, to the extent that the eye is sometimes broad and sometimes almost non-existent, while the upper bowl is left open as the pen-stroke trails off. B’s ‘a’ has a lower bowl that is usually consistent with the x-height, while the upper bowl is firmly closed with a broad stroke. Some pages also have contemporary marginal notes, in a hand that appears to belong to A, though smaller and in a lighter ink.IIIa: An official proclamation of the judgement against the traitors at Boroughbridge, issued 1322 or 1325, on a smaller sheet of vellum, approx. 250x150 mm (Haskins, “Proceedings” 511). Added later, according to Sayles, which accords with Ker’s assessment that only ff. 84-88 originate from Fineshade (Ker, Libraries 87). The text of the judgement is written lengthwise on the page, in a clear, contemporary hand. Two titles have been added at a later date, one “at least as late as the middle of the fourteenth century”, the second modern (Haskins, “Proceedings” 510-11). The first is partly obscured by a torn corner of the parchment (the bottom right?), and reads “COMENT LE CUNTE DE LANCASTRE FU ACOUPE DEVANT …[?la bataille de Pount de Burgh et jugee a] LA MOR[?t...]”. The second is smaller, inserted between the first and the text, and reads (more accurately) “Judicium in Barones captos apud Burgh Bridge” (qtd. in Haskins, “Proceedings” 511).
Contents.
- 84v: A copy of the king's letters of prohibition issued to Engayne and others forbidding attendance at a meeting at Doncaster, November 1321. Chronologically, follows the previous entry. Latin, ½ p.- 84v-85r: A letter of summons from Lancaster to John Engayne, urging him to attend a meeting at Doncaster on 29 November, 1321. Anglo-Norman, 1 p. Incipit:
A honurable homme et nostre trescher amy, Monsure Johan Dengayne, Thomas, / Counte de Lancastre et de Leycestre [etc], saluz / e cheres amitez. Sire, pur les granz periles et oppressions et grantz maux, qe nous / sentoms et entendoms... (qtd. in Haskins, “Petition” 483; in all quotes from Haskin’s editions, it must be assumed that he has regularised punctuation and spelling.)
- 85r-86r: A petition drawn up by Lancaster’s adherents for the forbidden meeting at Doncaster. It may have been composed at the meeting or in preparation for it, as there is no evidence that it ever took place (Haskins, “Petition” 479). Anglo-Norman, 1 p. Incipit:
A touz honours e reuerences, &c. Sire, pleysea a vostre seynurie sauer come plusurs e de-/-uerse greuaunces qui sont monstrez a nous e a nos autres bon piers de la tere... (qtd. in Haskins, “Petition” 483).
- 86r-88r: A short chronicle of the civil wars of Edward II, focussed primarily on the battles in Yorkshire in 1321-22. The final eight lines on 87v and all of 88r comprise a roll of the dead, executed, imprisoned and exiled after Lancaster’s final defeat at Boroughbridge. Haskins notes that this list apparently has a common source with a similar roll in MS Egerton 2850: each omits some names contained in the other, and the ordering of the names suggests that the original was in two columns, which one copyist read from left to right while the other read down (Haskins, “Chronicle” 74). Latin, 3 ff. Incipit:
Anno dominice incarnacionis .M°.CC°. octogesimo quintodecimo et regni regis Edwardi / .xx°ij°. et etate Edwardi filii predicti regis Edwardi quartodecimo. Cum idem rex transfre- / -tasset in Flandriam causa pacis inter regem Francie et comitem Flandrie, vt dice- / -batur, reformande... (qtd. in Haskins, “Chronicle” 75).
- 88v: A list of other historical notes which Haskins labels “various entries of no interest” Haskins, “Chronicle” 73). Presumably they were of some interest to the chronicler, but we are left to speculate as to their content. Latin, 1 p.
- 89: An official issue of the judgement against the rebels of Boroughbridge. Names Lancaster and Hereford personally, leaving the remainder general. Anglo-Norman, 1 f. Incipit:
Pur ceo que vous .j. home lige nostre seignur le Roi, contre vostre foi, homage, e ligeaunce, fausement e treiturousement / pristes sa ville e son chastel de Gloucestre... (qtd. in Haskins, “Proceedings” 483).
Although Planta’s catalogue, still the official catalogue of used by the British for the Cotton collection, describes this manuscript as a whole simply as “Fragments relating to the civil wars”, even this brief summary of the contents reveals a greater cohesion of purpose than the term “fragments” implies. Gathered as they are, this manuscript – and here I include the additional leaf – tells a story, and rather a personal one. The first three documents seem to be copies of those possessed by John Engayne with relation to a single fraught political event of late 1321, and the chronicle, while it begins with the generalised lurid speculation and frequent inaccuracies that characterise rumour-informed accounts of Edward II’s earlier reign, becomes both more accurate and more emotionally invested as it approaches the final battles of 1321-22, with its sympathies firmly in the baronial camp. The addition of the judgement adds a literal closing page to a grim chapter of recent history, recalling the epitaphical list of the victims of Boroughbridge incorporated by the chronicler into his final pages.
Date.
Hardy dates the chronicle at 1327 (395), though the narration ends in 1322. It shows no awareness of the invasion and overthrow to come in 1326-27, unless this is noted among the entries on 88v. The judgement was issued in the aftermath of Boroughbridge in 1322, but Sayles demonstrates that this manuscript is among those re-issued as a general warning in 1325 (61), at which time sufficient copies were made and distributed that “the chronicler would have had little difficulty in securing one for his own use” (57).
Origin and authorship.
An unknown canon from the Augustinian priory of Fineshade in Northamptonshire (Ker, Libraries 87). The letters and petition have been transcribed from another source, by the same hand (A) that appears to have composed the chronicle. Several errors, corrected by the same hand interlinearly or midway through the line, are suggestive of composition rather than copying: for example, on several occasions on ff. 87r and 87v the scribe simply changes his mind on word order. The relation of A to B is unknown, though they seem to be working in close collaboration, but A appears to be the dominant force in writing the chronicle and collecting the supporting documents.Given the location of Fineshade, therefore, it is curious that the letters and petition focus on events in the north, and the chronicle in addition shows a first-hand knowledge of events in the north beyond what can be accounted for by those documents. Haskins conjectures that the author is a northerner, “probably from somewhere in the county of York, for his account becomes at once more accurate and detailed as the scene shifts, in the spring of 1322, to the region of Boroughbridge and Pontefract” (“Chronicle” 74). Although this precedes Ker’s establishment of its origin, the point remains valid. We must suppose either that the chronicler was a northerner who moved south to Fineshade sometime between 1322 and 1325, or that he had access to the personal memories of someone heavily involved in the final stages of the baronial rebellion.
Both may be true: while the style of the chronicle seems to show a level of personal investment that may be indicative of a local’s attachment, a canon writing at Fineshade had a possible witness in the person of John Engayne, the local baron and a follower of Thomas of Lancaster. Richard Engayne had founded Fineshade in the 1208 (Knowles & Hadcock 137), and the pope’s confirmation in 1223 gave the establishment the right to elect their own prior without consent of the Engaynes (Serjeantson & Adkins 135). Nevertheless, they seem to have retained a close enough relationship with their erstwhile patrons that the priory (or the canon personally) could borrow and transcribe the letters and petition that were presumably among John Engayne’s personal papers.
This being so, there is a possibility that the memory and personal involvement reflected in the chronicle belong to John Engayne, shared in conversations with the canon who was writing what amounts to a history of Engayne’s experiences. Engayne died in 1323 or early 1324 (Dugdale 466), so perhaps it is not too great a leap to speculate that the chronicle may be partly coloured and motivated by reverence for his memory.
If, on the other hand, we hypothesise a smaller role for Engayne, limited to the loan of his papers (possibly by his estate after his death), we return to the supposition that the chronicler himself was a Yorkshireman, who moved to Fineshade after the disturbances of the civil wars. In this scenario, it may have been the move itself – from a place shaken by events that were justifiably felt to be of national importance, to a place less impressed by or less knowledgeable about those events – that prompted the impulse to record, to draw a comfortingly cohesive history from the catastrophe.
Later provenance and position in codex.
There is no evidence of the movements of the manuscript after its composition, and no later additions save the mid-fourteenth-century title on the final leaf. Fineshade was dissolved in 1536 (Knowles & Hadcock 137), and the manuscript may be presumed to have fallen into private hands at this date, if not before. The date and source of Cotton’s acquisition are not known, but it seems to appear on none of his loan lists, so was probably not among his most popular possessions with his fellow antiquarians.
Lacunae and potential.
- Perhaps the most frustrating lacuna is one that could easily be solved by examining the manuscript: the contents of those “various entries of no interest”, which have the potential to add tantalising clues (though possibly no answers) to the question of the date, circumstances and motivation of authorship.- The field of candidates for authorship is pleasingly narrow, given the probable size of Fineshade at this period. However, without details of the names and biographies of all the canons resident in the 1320s, there is little evidence to pursue beyond that point.
- The exact relationship between Engayne and the chronicler is probably not discoverable. It may be possible, however, to find out a little more about the final two years of Engayne’s life, and whether his experiences in the war hastened his demise a year later.
Cited.
Dugdale, Sir William. The Baronage of England. London, 1675.
Haskins, G. L. “Chronicle of the Civil Wars of Edward II.” Speculum 14 (1939): 73-81.
----- “Judicial proceedings against a traitor after Boroughbridge, 1322.” Speculum 12 (1937): 509-511.
----- "The Doncaster Petition, 1321." English Historical Review 53 (1938): 478-485.
Ker, Neil R. Medieval Libraries of Great Britain: A List of Surviving Books. London: Royal Historical Society, 1964.
Knowles, David & R. Neville Hadcock. Medieval Religious Houses: England and Wales. London: Longmans, Green & Co, 1953.
Planta, Joseph. Catalogue of the manuscripts in the Cottonian Library deposited in the British Museum. The British Museum: Department of Manuscripts. London: Hansard, 1802.
Sayles, George. "The Formal Judgments on the Traitors of 1322." Speculum 16 (1941): 57-63.
Serjeantson, R. M. & W. R. D. Adkins (eds). “Houses of Austin canons: The Priory of Fineshade or Castle Hymel”. A History of the County of Northampton v. 2. Oxford: Oxford UP, 1906. 135-36.
Sunday, December 20, 2009
A study of Cleopatra D IX: MS II, ff. 80-83. Breve chronicon.
A brief chronicle arranged by year from 1066 to 1304, extended to 1314 in another hand, with a later addition in a third.
Description.
Vellum, quarto (Hardy 352), 4 ff. Brereton mistakenly includes this manuscript and the following to f. 88 in her foliation of the Liber Alani de Ashbourne (see previous post), suggesting that it resembles those manuscripts at least superficially in layout, script and quality of parchment.
Contents.
A brief chronicle with three different periods of authorship. Incipit “Anno ab Incarnatione millesimo sexagesimo sexto”; explicit “In die nativitatis ejusdem Johannis” Baptistae (qtd. in Hardy 352).
Date.
According to Hardy, it imitates the Chronicle of Wigmore to 1279 (though scantily), then continues independently to 1304, where the first hand ends. The second hand continues through to 1314, while a single entry in a third hand notes the truce between France and England in 1341 (352).
Origin, authorship, later provenance.
The nature of the chronicle and the multiple authorship suggest a religious house. Hardy notes that local references would suggest Gloucester or nearby Wales, with influence from Wigmore, Herefordshire (Hardy 352). As Sir John Prise was very active in the dissolution of the religious houses in Gloucestershire, and had a penchant for collecting chronicles (Ker, Sir John Prise 5), it is possible it passed directly into his hands in 1535 or 1539, and thence to Cotton by a similar path to the South English Legendary fragment.
Lacunae and potential.
The brevity and imitative quality of this chronicle leave few clues as to its history, and have drawn it little attention from those scholars who have studied the manuscript. It sits, quiet and unassuming, in approximately the middle of the codex, least remarked of all. However, it is perhaps this very unremarkable nature that makes it valuable. A comparison with the Lichfield and Fineshade chronicles, together with some of the many other small-scale monastic chronicles by religious houses around this period, has the potential to establish a valuable pattern against which to judge impulses of conformity and diversity, inspiration and influence, in historical writing of the day.
Cited.
Brereton, Georgine E. (ed). Des grantz geanz: An Anglo-Norman poem. Oxford: Medium Ævum 1937.
Hardy, T. Duffus. Descriptive catalogue of materials relating to the history of Great Britain and Ireland v. 3. London: Rolls Series 1871.
Ker, Neil R. “Sir John Prise”, Library, fifth series, 10 (1955): 1-24.
Saturday, December 19, 2009
A study of Cleopatra D IX: MS I, ff. 5-79. ‘Liber Alani de Ashbourne’.
A book of historical lists, annals and stories from Lichfield Cathedral’s library, written or commenced by Alan of Ashbourne, vicar of Lichfield.
Description.
Vellum, small folio (Ward 198), 75 ff. Written on the recto of the first folio is “Liber Alani de Asshhburne Vicarii Lichf”. According to Brereton’s description of one item in it, that section at least has three columns with 50 lines (with an initial in red). Brereton describes the whole as being “in the same hand throughout, except for a few later additions on columns and pages left blank for the purpose” (vi). The accuracy of this assessment is questionable, as her examination of the remainder of the manuscript is cursory, to the extent that she includes the next two manuscripts in the number of folios she allots to this [*]. However, the error suggests that the hand, and perhaps the layout, of the manuscript are at least superficially uniform throughout.
Contents..
Historical lists and annals, local and universal, all in Latin save one Anglo-Norman romance. Although Des Grantz Geanz, a foundation poem recounting the mythic pre-history of Britain, survives in several manuscripts, this is the only witness to the longer redaction. It has been published by Brereton in a facing-page edition with the shorter redaction. There has been no edition of the remainder of the manuscript.
- 5v-24v: Annals from the beginning of the world to 1291 (or possibly 1292). Latin, 20 ff..- 25r-37v: A list of the popes from St Peter to John XXII (Jacques Duèze, papacy 1316-1334), until 1317 according to Planta’s catalogue. Presumably this is an a quo date calculated on the ascension date of the last pontiff listed. Latin, 13 ff.
- 38r-69r: Annals of the deeds of the English, from the death of Hengist to 1377. In at least two different hands. Neither Ward nor Brereton mentions at which year the hands change, or how much space the first leaves for subsequent additions. Latin, 32 ff.
- 70r-71r: Des Grantz Geanz, long redaction (281 octosyllabic couplets). Anglo-Norman, 2 ff. At the foot of the first page is a jotting, presumably intended for a decorative header to the poem:.
Incipit tractatus de terra Anglie a quibus inhabitabatur in principio ante aduentum bruti . que terra primo vocabatur Albion . et postea a bruto britannia. Deinde Anglia nuncupata est. (qtd. in Ward 198).
The first four lines are:.
Ci put hom saver comen.
et quant et de quele gen.
Les grants geans primes vindren.
et Engleterre primes tindrent.
(ibid)- 72r-74r: A list of the Archbishops of Canterbury, from Augustine to the investiture of John of Stratford (1333). Latin, 3 ff.
- 74r-79: A history of the bishopric of Coventry and Lichfield to 1347, with additions in a later hand to 1388. Latin, 5ff.
The selection and arrangement of the contents suggests a careful overall design. There is a balance between dry lists and narrative chronicles, and the field of vision narrows steadily from the universal to the national to the local. Given this level of organisational integrity, the apparently incongruous presence of an Anglo-Norman mythic romance in the midst of Latin prose histories provides a picturesque example of the flexibility of mediaeval understandings of genre..
Date, Origin and Authorship.
The library of Lichfield Cathedral (Ker, Medieval Libraries 115), c. 1323-1334 with later additions, Alan of Ashbourne and others..
Brereton dates the manuscript “with certainty” (vi) between the deaths of Simon of Mepham (1333) and Alan of Ashbourne (1334), on the grounds that the book records the death of one and is written by the other. This precision, however, rests on the assumptions that the book was written (or compiled) within the space of one year, and that it is primarily or exclusively the work of Alan of Ashbourne’s own hand. The first assumption is undermined by the book’s length, as well as Brereton’s own observation that the manuscript “consists of historical miscellanea and is written in the same hand throughout, except for a few later additions on columns and pages left blank for the purpose” (vi). This suggests that it was intended to function as a continuing record. If so, the vicar could have initiated it as a project any number of years before, rather than writing cover to cover within the space of a year. Greenslade asserts, based on internal evidence, that he began it in 1323, the year after his appointment at Lichfield (8).
The communal function implied by the long-term nature of the layout also complicates Brereton’s second assumption: although the majority of the work of compilation does seem to fall before his death, the book may have been initiated or directed by the vicar, without being written by his hand..
The addition of later entries up to 1388 and the inclusion (in transcription) of at least two works composed earlier (Des Grantz Geanz and the annals of the world) further complicate notions of any hypothetical authorship or definite date of composition. In particular, it is suggestive that the early annals end in the year 1291 or 1292. In 1291, a fire broke out in the Lichfield complex severe enough to burn at least the monastery to the ground (Knowles & Hadcock 192). Might the author have died in this fire, or stopped writing in the upheaval of rebuilding and recovery? The coincidence of dates suggests that while Alan of Ashbourne was compiling his own history of the bishopric, he collected or directed the collection of several other historical documents already belonging to Lichfield Cathedral – possibly including a (fire-damaged?) manuscript of a short chronicle written within fading living memory. The unfinished incipit the first page of Des Grantz Geanz strengthens the impression of a haphazard work in a constant state of composition, never polished and final.
His work appears to have been adopted on his death by his immediate community, enough to be referred to and intermittently updated for the next half century. By 1390, the manuscript seems to have fallen out of use as a record, superseded, forgotten or simply filled, and updates ceased..
The manuscript as a whole, with a history more accessible than most small-scale monastic chronicles can boast, provides valuable glimpses of possible motivations behind such an undertaking. Local and personal motivations sit side-by-side with a broader sense of national purpose. For example, if the first item (annals of the world) was written locally, as seems reasonable, a factor in the vicar’s decision to include it could well have been neighbourly reverence for the memory of its author and his not inconsiderable undertaking, from a man engaged in one no less ambitious. On the other hand, its contents demonstrate an anxiety to set local concerns, to which the majority of his efforts will be dedicated, in a universal context. Similarly, his local history and history of England suggests that he was among the many across England who felt prompted by the civil and natural disturbances of the 1320s to impose some order on events and dignify them with the name of history.
Later provenance and position within codex.
The picture is complicated around 1450 by Thomas Chesterfield, prebendary of Tervin in Lichfield Cathedral, who made a copy of Alan of Ashbourne’s chronicle and donated it to Lichfield Cathedral. It survives as MS Bodleian 956 pp. 113-229, and the inscription of the donor’s name on this copy led to the attribution of the authorship of both manuscripts to him in subsequent centuries (Greenslade 8-9 & notes; cf. Planta). The presence of two copies of the collection at Lichfield complicates their subsequent history.
The Franciscan house at Lichfield was dissolved in 1538, though other parts of the Lichfield establishment remained, including the cathedral, which is still in use today (Knowles & Hadcock 192). One of the two manuscripts, however, seems to have remained in the library of Lichfield Cathedral, as it was consulted there by William Whitelocke in the composition of his own history of Lichfield Cathedral in the late 1560s (Kettle, “Whitelocke”). This was probably the Chesterfield manuscript, as Whitelocke attributes the chronicle to him. The absence of both from the catalogue compiled by Patrick Young c. 1622 (Ker, “Young’s catalogue” 152 &c) suggests that both passed into the hands of a private collector at some time after 1670. Perhaps Whitelocke, “[o]ne of the few clergymen of the period to make a significant contribution to antiquarian studies” (Kettle, “Whitelocke”), felt it would be no disloyalty to his cathedral to allow such a manuscript to pass into the burgeoning library of some fellow antiquarian; or possibly the private circulation of his histories piqued someone’s interest in his source. The original Liber may also have been retired from the cathedral library prior to the dissolution, and fallen into private hands then.
Whether directly or through several intervening libraries, it was in Cotton’s hands by 1608, when he loaned it to Archbishop Bancroft (Tite 44-45). The loan entry reads only “Lichfield chronicle”, suggesting that at this time the manuscript was still circulating independently.
As for Chesterfield’s manuscript, this may be the one referred to in a note written c. 1617 in Bodleian Twyne 22 as the property of Thomas Allen (Tite 215). As Cotton indisputably possessed the original manuscript by that date, and had probably already bound it into the existing codex, Allen’s may very well have been the fifteenth-century copy – although it is also possible that he owned one of the manuscripts of Whitelocke’s adaptation.
Lacunae and potential.
- Basic codicological details and paleographical details are lacking, together with information about the contents of each section.- As noticed above, this manuscript contains the sole surviving witness to the long redaction of Des Grantz Geanz. The second redaction, more than a hundred lines shorter, first appears in 1333, leading Brereton to suggest that this manuscript may be the source from which the second was abridged (vi). The lack of evidence regarding the origin of those manuscripts makes speculation somewhat futile, although it seems safe to say that both are evidence of an increased interest in this poem from the late 1320s onwards. If this is the case, judging only by the surviving manuscripts (which may not be representative), Lichfield Cathedral seems to have been a little ahead of the literary fashion.
- Many of the suggestions made above rest on the history of Lichfield from 1290 until Alan of Ashbourne’s death, particularly the local writing culture and the effects of the fire. For these, the chronicle itself may well be the best source we have, if it were available..
- The irregular number of folios – 75 does not divide easily into any set of regular quires – may suggest the addition or removal of folios or leaves after the primary stage of assembly. An examination of the manuscript could potentially confirm or deny this, as well as giving some indication of where changes may have taken place, potentially informing our understanding of how the vicars of Lichfield understood and interacted with their book as a historical document.
Cited.
Brereton, Georgine E. (ed). Des grantz geanz: An Anglo-Norman poem. Oxford: Medium Ævum 1937.
Greenslade, M. W. The Staffordshire Historians. Staffordshire Record Society, fourth series, 11 (1982).
Kettle, Ann J. “Whitelocke, William (c. 1520-1584).” Oxford Dictionary of National Biography. Oxford UP, 2004. [http://www.oxforddnb.com.proxy.bib.uottawa.ca/view/article/29318, accessed 03 Dec 2009].
Ker, Neil R. Medieval Libraries of Great Britain: A List of Surviving Books. London: Royal Historical Society, 1964.
--- (ed). “Patrick Young’s catalogue of the manuscripts of Lichfield Cathedral”, Medieval and Renaissance Studies 2 (1950): 151-168.
Knowles, David & R. Neville Hadcock. Medieval Religious Houses: England and Wales. London: Longmans, Green & Co, 1953.
Planta, Joseph. Catalogue of the manuscripts in the Cottonian Library deposited in the British Museum. The British Museum: Department of Manuscripts. London: Hansard, 1802.
Tite, Colin. The Early Records of Sir Robert Cotton’s Library: Formation, Cataloguing, Use. The British Library. Bury St Edmund’s: St Edmundsbury Press, 2003.
Ward, H. L. D. Catalogue of Romances in the Department of Manuscripts in the British Museum. London: British Museum, 1962.
Friday, December 18, 2009
A study of Cleopatra D IX: Introduction.
For an earlier mention of my investigations into this manuscript, see this post. Some things mentioned in it turned out to be incorrect or were dropped from the final study because I pursued a different angle, but I’m leaving it as is.
BL Cotton Cleopatra D IX has received only intermittent scholarly attention, and that piecemeal. Here a poem has been isolated from its manuscript and published, there a list of names or saints’ lives has been analysed for its relation to other such sources. One line – and not the most reliable - from a single chronicle has repeatedly been quoted to add weight to arguments that Edward II’s relationship with Piers Gavaston was sexual, with no consideration of the source.[1] As the codex is an early seventeenth-century assembly of disparate fourteenth-century texts, it has received no consideration as an entity; and it might reasonably be argued that it ought not. The authors and scribes of the various manuscripts contained in it certainly intended no relationship to the others, and Cotton’s assembly of it has no great psychological or historical significance. Moreover, the manuscripts contained in it are generally obscure enough that there must remain serious lacunae in our comprehension of the provenance and movements of the component parts, until the moment of their combination.
However, the mysteries and tantalising clues of their histories are precisely what have the potential to inform our broader understanding of the composition and later reception of manuscripts of this type. A collection of this type provides a ready collection of facts, impressions and resulting hypotheses – all potentially mistaken but all valuable to speculate around - of circumstances, motivations and habits of composition, and simultaneously of the treatment which the manuscripts were likely to receive at the hands of the early modern antiquarians.
Combined and bound by Cotton around 1616, the volume contains three large manuscripts (the Liber Alani de Ashbourne, the Epistola and the South English Legendary fragment), between which are bound two briefer manuscripts (a brief chronicle from Gloucestershire and the Fineshade chronicle collection). There is a considerable degree of order and intent in the collection and arrangement of the manuscripts in the volume, but it remains a superficial imposition. This volume was one of many assembled by Cotton from similar manuscripts in the mid 1610s, and as such is part of a larger project in which page size and number of folios seem also to have been a weighty consideration.
The codex begins with what Cotton probably considered the most valuable or useful of the book: the Fineshade collection was borrowed by Archbishop Bancroft in 1608 and consulted by John Selden c. 1617 (Tite 45 & 215), and before it fell into his possession had been copied and incorporated into other histories of the bishopric and the county. The first four manuscripts are reasonable uniform in size and nature, as well as appearance and layout if Brereton’s error is indicative (see later entry on the Liber Alani de Ashbourne). There is some thematic continuity, also, between the concerns of the Fineshade chronicler and William of Pagula’s reproaches against Edward III’s governance (mss III-IV). All are products of fourteenth-century England, although there is a possibility that the Epistola (ms IV) was copied in Gascony, and Cotton appears to have gone to some effort to arrange them into chronological order, which would require more than a passing glance at their contents.
The fifth manuscript, a fragment of the South English Legendary, stands out: popular culture, non-historical (at least to post-Reformation eyes), highly Catholic, middle English and clearly incomplete, the only elements in common with its companions seem to be its size and date.
A possible clue to its inclusion can be found in the original fly-leaves of the volume as Cotton bound it. Until 1913, the codex had fly-leaves formed of two leaves from a fourteenth-century psalter. The same psalter was also cannibalised for binding material for at least twenty-five other newly assembled Cotton volumes c. 1615-1618, most of which what appear from Planta’s catalogue to be similar historical collections, often local or monastic. Carley and Tite document this fragmentation, and have concluded that the remaining bulk of the psalter, which was bound into what is now Royal 13 D I, was intended by Cotton simply as filler after he removed something else from that volume (97 &c). The psalter has now been reunited with its missing leaves, rebound in 1913 as Royal 13 D I*, but its traces leave a useful record of Cotton’s activities in the mid 1610s.
As demonstrated by his treatment of the psalter, Cotton’s approach to his library was utilitarian rather than reverential, and he frequently fragmented or rebound manuscripts according to convenience of consultation. Sharpe observes that items “were bound together that were often consulted together” (69). This codex seems only to half embody that impulse: the first four booklets can all be described as fourteenth-century local histories with a broader political view, but the South English Legendary fragment stands alone. Perhaps it was added, being an appropriate size, simply to complete the bulk of the volume for binding, as with the psalter in Royal 13 D I. If this was the motive, we cannot exclude the possibility that Cotton himself is responsible for dismembering the complete South English Legendary manuscript as he did the psalter: they are, after all, both overtly Catholic texts with little of interest to offer Cotton’s generation of antiquaries. Perhaps we ought to seek its missing leaves in the pastedowns and fly-leaves of other Cotton volumes.
Individually and as a group, from a literary perspective or a codicological, there are difficulties with using the contents of Cleopatra D IX as a historical source. The scope of vision of each is local and limited, and much of the information unique to these manuscripts can’t be relied upon unless verified from other sources. Similarly, there are simply too many lacunae to construct a firm picture of their composition, transmission, later history and collection, so they serve as a definite historical example neither for their own time nor for Cotton’s. On the other hand, there are benefits to using texts like these as a historical source. I do not mean the more mundane benefits that Haskins points to when he praises the Fineshade chronicle’s ability to augment and correct another manuscript’s list of the dead and punished after the Battle of Boroughbridge in 1322 (Haskins, “Chronicle” 74-75). This sort of information-gathering has its place, of course, but only as it helps us understand more broadly the human and cultural implications behind the development of these manuscripts.
For example, the multiple layers of composition and contribution evident in each of the first three manuscripts provide a valuable example of the dangers of applying modern assumptions to a term like “author”. The presence of Des Grantz Geanz in the Liber Alani de Ashbourne, meanwhile, performs a similar service for the term “historical”.
In addition, comparison with other similar manuscripts could also provide the grounds for a detailed and powerful study of the motivations behind much of the historical writing of this period. Edward II’s reign, with its natural and civil upheavals and perceived perversions of the natural order upon which society was built, seems to have prompted a flurry of chronicles and other similar documents, suggesting a widely-felt need both to record momentous events to impose some imaginative order on them. While these manuscripts seem to belong, to varying degrees, to that tradition, they also give us a glimpse of a flurry of possible personal motivations informing the writing, from duty to the local parish to displacement from home, from higher instruction to memories of the dead.
The information gathered in the entries to follow is of necessity incomplete, even beyond the true lacunae imposed by time and obscurity. Only one page of the manuscript has been sighted in its assembly – f. 87v, reproduced in the appendix below. The remainder of the information is collected and deduced from the attentions of other scholars, some of whose interests lay in very different directions to my intent. For example, William of Pagula’s Epistola has received a respectable amount of attention, and much is now known about the circumstances, motivation and dating of its composition; but not one description of this manuscript is to be found. Brereton has published Des Grantz Geanz, from the Liber Alani de Ashbourne, but commenting on the contents of the other sections of the manuscript is out of her purview. This information, then, is incomplete, and many gaps could be filled by a simple trip to the British Library.
It should be also noted that in its assembly, I have deliberately engaged in speculation. Many hypotheses have had to be revised as new evidence came to light, and doubtless as many of the remainder would be proved incorrect if only all the information guessed at were available to us. I make no apology for it, however: the exercise of speculation in considering a collection such as this must be an end in itself, opening up possibilities and raising valuable questions about the individuals involved and the push and pull of cultural motivations in play, about what they believed they were doing in the act of writing, whom they thought they were serving and how, what “history” meant to each and how the community around them interacted with their text. The caveat remains, of course, that such speculation is only valuable – only safe – so long as one never forgets where it begins, and where it must end.
[1] “Quem filius regis intuens in eum / tantum protinus amorem iniecit quod cum eo firmitatis fedus iniit, et pre ceteris morta- / -libus indissolubile dileccionis vinculum secum elegit et firmiter disposuit innodare” (f. 86r, qtd. in Haskins, “Chronicle” 75), usually translated with varying degrees of luridness that occasionally almost match the Latin. References are typically to Haskins, occasionally mentioning the codex by pressmark. (See my previous post).
Cited:
Brereton, Georgine E. (ed). Des grantz geanz: An Anglo-Norman poem. Oxford: Medium Ævum 1937.
Carley, James P. & Colin G. C. Tite. “Sir Robert Cotton as collector of manuscripts and the question of dismemberment: British Library MSS Royal 13 D. I and Cotton Otho D. VIII.” The Library 6th series 14 (1992): 94-99.
Haskins, G. L. “Chronicle of the Civil Wars of Edward II.” Speculum. 14 (1939): 73-81.
Planta, Joseph. Catalogue of the manuscripts in the Cottonian Library deposited in the British Museum. The British Museum: Department of Manuscripts. London: Hansard, 1802.
Sharpe, Kevin. Sir Robert Cotton 1586-1631: History and Politics in Early Modern England. Oxford: Oxford UP, 1979.
Tite, Colin. The Early Records of Sir Robert Cotton’s Library: Formation, Cataloguing, Use. The British Library. Bury St Edmund’s: St Edmundsbury Press, 2003.
